While this is by no means a comprehensive list of safety practices, we hope these points will prompt you to put procedures in place to ensure the health and safety of those who enter your studio, and the premises itself. With stands and cables, your studio is full of potential hazards, so we must prioritise safety.

LIGHT AND BACKDROP STANDS

Choosing Stands for Photography

Stands for lights and backdrops range from lightweight to heavy-duty. Always choose a stand which is most appropriate for the weight and size of the item it needs to support. Cheaper lightweight stands might be okay for small items such as Speedlight flashes and simple umbrellas. However, it’s best to invest in heavier, sturdy stands to support larger flash heads, particularly when they are paired with large, weighty modifiers. (eg. a large soft box).

When choosing stands to support a background system, consider the weight of the background material itself. Vinyl and painted canvases are generally quite heavy. These will likely require sturdy crossbars and stands. However, if you’re using lighter fabrics and throws which will sit low to the ground, for example, over a posing bag, lighter stands, as long as they are well stabilised, will usually suffice.

You might also consider a wall-mounted backdrop system. Such systems will reduce the number of trip hazards if fewer stands are required.

Setting Photography Stands

Experiment with the width of the legs of your stands to find the point at which it has maximum stability. For many stands, this will be where the legs create the broadest footprint, however, this can vary. This is especially important when working with heavy lights and large modifiers.

Additionally, angling your flash head to fall in line with one of the legs of the stand will create greater stability than aligning the head over the space between 2 legs.

If using booms or C-stands, tie a flag (or poke a tennis ball) to the empty end, to avoid people running into them.

SANDBAGS & SHOT BAGS

Sandbags and shot bags are weighted bags, filled with sand and metal, respectively. You can never have too many weights in your kit. Along with gaffer tape, they’re an inexpensive safety essential. It’s a good rule to add a weights to your stands. Place them in a manner which logically helps counterweight your light/modifier or backdrop, both in-studio and on location.

LIGHTS

ALWAYS ensure lamp covers are removed from flash heads before turning on. The black plastic covers are for protection only. They will begin to melt once the light is turned on and begins to heat up.

NEVER place flammable materials near lights. This includes placing lights too close to walls, ceilings, flags and backdrops.

NEVER leave lights on and unattended.

ELECTRICAL CABLES

If running long cables on the ground, tape them down to avoid tripping hazards. If in a high traffic area, don’t just tape over the cable, but create a large cross over the cable to alert people to the potential hazard.

While not as relevant with some newer lights, it’s still good practice to discharge lights and turn the power off before swapping power cables. Lights are high powered electric devices which have the potential to electrocute or cause damage to the device itself.

NEVER roll cables around your elbow. Instead, use the “Under Over” method for coiling cables. Electrical and data cables are sensitive, so treat them with care to avoid damage.

Have an electrician check your cables and equipment regularly. You’ll often need to “test and tag” (a licensed electrician’s approval) equipment when working in commercial spaces.

LIQUIDS

It sounds like common sense, but it’s not uncommon for studios to have a (signed) no liquids rule in place.

In addition to slipping and electrocution risk, also take into account whether you permit hot drinks in your studio, based on your clients. You might also implement a “drink bottles only” rule, in preference to cups/glasses which spill or break more easily. Again, these are points for your consideration based on knowing your own studio layout and your clients.

GENERAL

Check your equipment regularly. Organise any repairs or servicing as required.

Check with a licensed electrician in your area to confirm how frequently you’re required to have your electrical equipment tested. In Australia, Queenslanders can refer to the Worksafe Test & Tag page. Search online to find the recommendations and regulations in your region.

Have appropriate insurances in place per the requirements of your state/territory and country. Consult a professional in your area.

YOUR THOUGHTS?

Do you have a safety recommendation of your own? Let us know in the comments.

2 thoughts on “Tips for a safer studio environment

  1. Jasmin says:

    Great tips. I’d also add to make sure you also have a fire extinguisher, blanket, first aid kit and CPR chart easily accessible.
    Depending on the size of the studio, a regular walk around safety check/ audit is also good to make sure you are aware of any dangers that could be on the horizon.

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